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KAWABATA RYUSHI (1885-1966) |
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Born in 1885 in Wakayama
City and was named Ryutaro. |
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He first learned Western-style
painting at the two major |
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institutes, Hakuba-kai
and Taiseiyoga-kai. |
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He visited the Boston Museum in
1913 and was deeply fasci- |
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nated by the classic Japanese picture
scroll, Heiji Monogatari. |
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This experience moved him to change
his career to a Japanese- |
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style painter. He was
awarded a Culture Medal in 1959. |
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ICHINO TATSUOKI (1942-1997) |
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1942 |
Born in Aichi Prefecture. |
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1960 |
Learned Japanese=style
painting under Kawabata Ryushi |
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and was active in the
Seiryusha Group. |
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1966 |
After this group.was
dissolved, he learned under Takayama |
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Tatsuo. His work was
accepted and exhibited at Nitten Exhibition. |
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1974, 1976 |
Awarded the Special
Prize at the Nitten Exhibitions. |
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1981 |
Ellected a member of
the Judging Commity of Nitten Institute. |
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.SEKINO JUN' ICHIRO ( 1914-1988 ) |
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.Born in Aomori Prefecture in 1914, he was so fascinated
with woodblock prints |
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.when he was still attending junior highschool that he
had enough vigor to recruit |
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.other.members
and edit a hanga magazine. Under Kon Junzo he learned etching |
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.and lithography. In 1920 he exhibited his work in the
2nd Exhibition of Japan |
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.Hanga Association. In 1939 he moved to Tokyo and lived
in the neighborhood |
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.of Onchi Koshiro. |
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.Together with Yamaguchi Gen, he was founding member
of Ichimoku-kai and for |
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.about 10 years, surrounding Onchi, made efforts to sustain
this precious circle. |
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.His two books, 'The Founders of Hanga' and 'The Memorable
Print Artists' are. |
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.both very valuable documents of sosaku-hanga. |
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.FUKUSHIMA ICHIRO ( 1920-1975 ) |
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1920 |
Born in Enoshima, Kanagawa
Prefecture. |
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1937 |
He learned under Ota
Koji and was enlisted in The Art Training Center |
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at Kumaoka. Later,
accompanied by Ota Koji, he met Azechi Umetaro |
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and was fascinated
by his works and his spirit. |
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1962 |
He started making prints. |
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1964 |
He exhibited his works
in the Exhibition of Japan Hanga Association |
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and won the Newcomer
Prize. He developed and deepened his art |
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while participating
in various international exhibitions |
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.KITAOKA FUMIO ( 1918 -2007 ) |
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1918 |
Kitaoka Fumio was born
in Tokyo in 1918. |
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1939 |
He learned woodblock
printing under Hiratsuka Un'ichi during his |
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student years in Tokyo
School of Fine Arts, and in the same year |
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his work was first
admitted entry for the Exhibition of Japan |
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Hanga Association. |
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1942 |
He joined the 'Kitsutsuki-kai'
group led by Hiratsuka and in 1943 |
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became member of the
Hanga Association. |
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1944 |
He joined the 'Ichimoku-kai'
group whose leader was Onchi Koshiro. |
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1955 |
He went to France and
met Hasegawa Kiyoshi, who became his third |
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great teacher. |
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1964-6 |
During the 1964-65
period, he taught woodblock printing at |
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Minneapolis School
of Art and at New York Brat Graphic Art Center |
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as a Fulbright exchange
professor. |
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2007 |
He passed away on April 22 at the
age of 89. |
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YAMAGISHI KAZUE ( 1891
-1984 ) |
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Yamagishi was born
in Ina City, Nagano Prefecture, in1891. After graduating |
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from primary school,
he moved to Tokyo and learned woodblock print-making. |
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From1913 to 1916 he
worked for The Yomiuri Newspaper Company as a |
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wood-carver in the
process of illustratimg the pages. For several years fom 1926 |
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he traveled around Europe and the
US and published many prints depicting scenic beauty. |
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He remained very active
until he passed away at the age of 94 |
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ASANO TAKEJI ( 1900 - 1998 ) |
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Born in Kyoto in 1900,
Asano learned Nihonga (Japanese-style painting) at Kyoto City |
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School of Fine Arts. Though
he took up Western-style oil painting for some time, he |
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soon resumed his career
as a Nihonga artist. |
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In 1928, he attended
Hiratsuka's seminar at Gasendo in Kyoto and then was fully devoted |
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to printmaking together
with Tokuriki Tomikichiro, Asada Benji and Nakagawa Isaku. |
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Stimulated by Kobayashi
Kiyochika's series 'Famous Places of Tokyo', which he felt was |
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full of realistic charm,
he started his own version of 'famous places' series. At the
same |
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time he fully used
his imagination for his sosaku hanga works. In his post-war years |
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he advocated Jiyu Hanga
(literally Free Will Print). |
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NAKAGAWA MOKUREI (1919-1979
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Born in Murokawa, Yamagata
prefecture. In his youth while he was devoting himself |
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to wood curving, Kataoka
Mito, a sculptor known for his traditional painting and wood |
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works, found him and
advised him to learn in Tokyo. After World War II, he joined
a |
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project team making
reprints of traditional woodblock prints. |
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He was selected as
a 'human treasure' in the field of traditional woodblock curving
by |
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the Tokyo Metropolitan
Government. |
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HIRATSUKA UN'ICHI (
1895 -1997 ) |
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He was born in Matsue
City in 1895. On the advice of Ishii Hakutei, his master in |
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the fine arts, he learned
the carving techniques under Igami Bonkotsu, a renowned |
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carver. Hiratsuka himself
was later called a master carver. .In 1921 his work was |
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first exhibited in
the 3rd Exhibition of the Sosaku-hanga Association. |
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Throughout his long
career he never spared any effort to promote this genre of art. |
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He not only worked
as a lecturer at the government academy, Tokyo School of Fine |
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Arts, but he also started
lectures and workshops throughout the country, thus cul- |
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tivating the soil on
which grew many talents. Among them we find Munakata Shiko |
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as well as Azechi Umetaro,
Maeda Masao and Shimozawa Kihachiro..The latter three |
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were called the three
outstanding talents in the Hiratsuka school. |
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Un'ichi's passion for
hanga never waned until his death at the age of 102 in 1997. |
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KAKIHARA TOSHIO (1893
-1960 ) |
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He was one of Hiratuka's
students. The catalogue of the 3rd Exhibition of Japan Print |
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Association says that
he was born in Sendai in 1897, but our further research made
in |
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Sagamiko-cho, Kanagawa
Pref., where he died, shows that his birth year was 1893. |
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It might have been
that he declared his age a little younger than he really was
becuase |
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he wanted to be among
the younger artists he felt spritual kinship to. The portrait
that |
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Maeda Masao made of
him is shown in 'Han News No.6 ' featuring Maeda Masao. |
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SASAJIMA KIHEI ( 1906-1993
) |
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1906 |
Born in the pottery
town of Mashiko, Tochigi Prefecture. |
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1936 |
He attended a course
given by Hiratsuka Un'ichi and was fascinated with |
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the world of black
and white woodblock prints. |
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1937 |
Hamada Shoji, a well-known
potter living in Mashiko, introduced him to |
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Munakata Shiko, giving
him the great oppotunity because he had always |
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admired Munakata's
works for their feeling of incredible liberty. |
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1952 |
He joined Munakata
Shiko and Shimozawa Kihachiro to form Nihon Hanga- |
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in (Japn Print Accademy). |
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