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INAGAKI TOMO-O (1902-1980
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Born in Tokyo in 1902,
Inagaki started to contribute his woodblock works for |
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the magazine 'Poems
and Prints' in1923. This challenge acquainted him with |
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Onchi Koshiro and enabled
him to learn a great deal from this giant in hanga. |
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His work was first
exhibited in the 6th Exhibition of the Sosaku-hanga Asso- |
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ciation in 1924. 'Modern
Japanese Prints' by Oliver Statler 1957, the first |
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book to introduce Sosaku-hanga
on the international scale, aroused the world- |
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wide interest in this
genre of art. Inagaki's 'Cat making up' was selected to |
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decorate the front
cover, which helped to bring him international fame. |
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SHIMOZAWA KIHACHIRO (1901
- 1986 ) |
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1901 |
Born in Hirosaki City
in Aomori prefecture . |
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1916 |
His enthusiasm for
art brought him far down south to Tokyo, where he |
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worked for Chuo Bijutsusha
(Central Art Publishing). |
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1921 |
He got acquainted with
Ishii Hakutei and started to paint in oil, water- |
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color and tempera.
During the1921-22 period, he had to be enrolled in |
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the artillery and returned
nearly deaf. |
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1924 |
Around 1924, introduced
by Ishii Hakutei, he started to learn woodcut |
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techniques under Hiratsuka
Un'ichi. |
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1927 |
He became member of
the Hanga Association. |
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Besides woodblock printing
he also composed Haiku poems. |
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Shimozawa says, 'The
coldest winter bites my soul but brings the warmest |
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joy when a scene is
printed beautifully snowbound' (1949) |
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YAMAGUCHI SUSUMU (1897-1983
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1897 |
Born in Ina, Nagano
prefecture in 1897. |
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1912 |
At the age of 15 he
made his first attempt in woodblock printing using |
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his father's worn out
wooden clogs as the blocks. |
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1923 |
His work was first
exhibited in the 5th Exhibition of the Sosaku-hanga |
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Association |
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His mountain prints
have established reputation for their dynamism and |
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profoundness. As for
the theme 'mountain', Azechi and Maeda can perhaps |
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compete with him, while
as for 'soaked-wet printing' , the printing tech- |
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nique of his own devising,
had influence even upon Onchi Koshiro. |
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SASAJIMA KIHEI (1906-1993) |
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1906 |
Born in the pottery
town of Mashiko, Tochigi prefecture. |
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1936 |
He attended a course
given by Hiratsuka Un'ichi and was fascinated with |
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the world of black
and white woodblock prints. |
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1937 |
Hamada Shoji, a well-known
potter living in Mashiko,introduced him to |
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Munakata Shiko, giving
him the great oppotunity because he had always |
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admired Munakata's
works for their feeling of incredible liberty. |
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1952 |
He joined Munakata
Shiko and Shimozawa Kihachiro to form Nihon Hanga-in. |
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MAEKAWA SEMPAN (1888
-1960 ) |
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Born in Kyoto in 1888.
He was first fascinated with the woodblock prints by |
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Minami Kunzo and this
led him into the world of hanga. In 1919 his work was |
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exhibited in the 1st
Exhibition of the Sosaku-hanga Association. |
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His long quest for
Sosaku-hanga, always marked by the warmth of his sincere |
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personality, was carried
on until he died at the age of 72 in 1960. |
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He is now counted among
the three giants of Sosaku-hanga together with Onchi |
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and Hiratsuka. |
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HIRATSUKA UN'ICHI (1895
-1997 ) |
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Born in Matsue City
in 1895. On the advice of Ishii Hakutei, his master in the fine |
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arts, he learned the
carving techniques under Igami Bonkotsu, a renowned carver. |
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Hiratsuka himself was
later called a master carver. .In 1921 his work was first |
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exhibited in the 3rd
Exhibition of the Sosaku-hanga Association. |
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Throughout his long
career he never spared any effort to promote this genre of art. |
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He not only worked
as a lecturer at the government academy, Tokyo School of Fine |
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Arts, but he also started
lectures and workshops throughout the country, thus cul- |
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tivating the soil on
which grew many talents. Among them we find Munakata Shiko |
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as well as Azechi Umetaro,
Maeda Masao and Shimozawa Kihachiro..The latter three |
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were called the three
outstanding talents in the Hiratsuka school. |
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Un'ichi's passion for
hanga never waned until his death at the age of 102 in 1997. |
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.KITAOKA FUMIO (1918 -2007 ) |
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1918 |
Kitaoka Fumio was born
in Tokyo in 1918. |
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1939 |
He learned woodblock
printing under Hiratsuka Un'ichi during his student |
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years in Tokyo School
of Fine Arts, and in the same year his work was |
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first admitted entry
for the 8th Exhibition of Japan Hanga Association. |
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1942 |
He joined the 'Kitsutsuki-kai'
group led by Hiratsuka and in 1943 became |
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member of the Hanga
Association. |
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1944 |
He joined the 'Ichimoku-kai'
group whose leader was Onchi Koshiro. |
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1955 |
He went to France and
met Hasegawa Kiyoshi, who became his third great |
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teacher. |
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1964-6 |
During the 1964-65
period, he taught woodblock printing at Minneapolis |
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School of Art and at
New York Brat Graphic Art Center as a Fulbright |
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exchange professor. |
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2007 |
He passed away on April
22 at the age of 89 |
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HATSUYAMA SHIGERU (
1897-1973 ) |
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Born in Asakusa district,
Tokyo, he learned at the age of ten the traditional |
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Yamoto-e painting from
Kano Tanrei. He then worked in a dye house, where |
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he made full use of
his drawing ability. In1919 he started to draw pictures |
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for children when the
magazine " The World of Fairy Tales " was published. |
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His fairy tale picures,
with delicate lines and decorative compositions, were |
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soon hily valued. He
started woodblock printing in the 1930s. |
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